Summi et Aeterni CD

Apel, Willi. Gregorian Chant. Bloomington: Indiana University Press, 1958. Bergeron, Katherine. “Representation, Reproduction, and the Revival of Gregorian Chant at Solesmes.” Ph.D. diss., Cornell university, 1989. _______. Decadent Enchantments: The Revival of Gregorian Chant at Solesmes. Los Angeles: University of California Press, 1998. Berry, Mary. “The Restoration of Chant and Seventy-five Years of Recording.” Early Music 7 (1979): 197- 217. Bewerunge, H. The Vatican Edition of Plain Chant. Dublin: Brown, 1906. Bucknum, David Walter. “The Influence of Friedrich Pustet and Sons, Publishers, on the Cecilian Movement.” Ph.D. Diss., Indiana University, 2004. Burge, T. A. “The Vatican edition of the Kyriale and its critics.” The Irish Ecclesiastical Record, 19, (1906), 324-345. Reprinted in Caecilia 86 (1959): 158-345. Carroll, J. Robert. Are the Solesmes Editions Justifiable? Toledo: Gregorian Institute of America, 1958. Cardine, Eugène. Gregorian semiology. Trans., Robert M. Fowels. Solesmes: Desclée, 1982. Combe, Pierre. “Aux Sources du Motu Proprio,” Revue Grégorienne 32, (Nov.-Dec., 1953), _______ . Histoire de la restauration du chant grégorien d'après des documents inédits. Solesmes: Abbaye de solesmes, 1969. _______ . The Restoration of the Gregorian Chant: Solesmes and the Vatican Edition. Trans., Theodore Marier. The Catholic University of America Press: Washington D.C., 1969. Crocker, Richard. An Introduction to Gregorian Chant. New Haven: Yale University Press, 2000. Covers a broad range of topics, but, when it comes to the history of the Vaticana, it is pure fiction. Fowells, Robert. “Gregorian Semiology: The New Chant. Part I.” Sacred Music 114, no. 2 (1987): 17-20. _______ . “Gregorian Semiology: The New Chant. Part II.” Sacred Music 114 no. 3 (1987): 5-10. _______ . “Gregorian Semiology: The New Chant. Part III.” Sacred Music 114 no. 4 (1987): 11-16. Hayburn, Robert Francis. Papal Legislation and Sacred Music. Collegeville, Minn.: Liturgical Press, 1979. De facto his dissertation. ______ . “Pope Saint Pius X and the Vatican Edition of the Chant Books.” D.M.A. thesis, University of Southern California, 1964. Gajard, Joseph. The Solesmes Method. Trans., R. Cecile Gabain. Collegeville, Minn.: Liturgical Press, 1960. Johner, Dominic. The New School of Gregorian Chant. Ratisbon and Rome: Pustet Press, 1925. I checked this book out because it was published by Pustet. There is nothing of interest in it. Kelley, Columba. “The Role of Semiology.” Sacred Music 115, no. 2 (1988) 5-11. A short and sentimental account of semiology. Mocquereau, Andre. Le Nombre Musical Gregorien. Paris: Desclée, 1927. A theoretical work on the “Solesmes method” of rhythm. Much of this book can be found in the introductions to certain volumes of the Paleo. Hiley, David. Western Plainchant. New York: Oxford University Press, 1997. Levy, Kenneth. Gregorian Chant and the Carolingians. Princeton, NJ: Princeton University Press, 1998. “Plainchant”, Grove Music Online ed. L. Macy (Accessed 20/9/04). Rayburn, John. Gregorian Chant: A History of the Controversy Concerning Its Rhythm. Westport, Connecticut: Greenwood Press Publishers, 1964. Schmitt, Francis. Church Music Transgressed. New York: The Seabury Press, 1977. Wagner, Peter. Der Kampf gegen die Editio Vaticana Pamphlet. Graz: Styria, 1907. Published in English as “The Attack on the Vatican Edition: A Rejoinder.” Caecilia 87 (1906): 10-44. Editions of the Graduale Romanum : Leipzig: Hermesdorff, 1876. Reims et Cambrai Rome: Pustet 1884. Tournai: Desclée 1885. Tournai: Desclée 1895. Tournai: Desclée 1903. (Edited by X. Matthias) Ratisbon: Pustet 1912. Tournai: Desclée, 1934. Mechlin: H. Dessain, 1953. Dusseldorff: Schwann, 1954. first mass CD, Traditional Catholic Polyphony Sacred Music Musica Sacra Topeka, Kansas Topeka, KS Christ the King Summi et Aeterni Sacerdoti SUMMI CD Jeff Ostrowski Fr. James Fryar, Fr. Ken Fryar, Mocquereau Pothier Skeris summi et aeterni sacerdoti domini nostri jesu christi pius X, pope pius X, st. pius X, john vianney, topeka, st. john mary vianney, SUMMI CD, chant CD Jeff Ostrowski topeka KS, Dr. John Stephens, Catholic Polyphony 16th century polyphony, sixteenth-century polyphony, Palestrina, Lassus, Orlando di Lasso, Victoria, Vittoria, Gregorian Chant, Jeff Ostrowski, Sacred Polyphony, Gregorian Chant, Pope John Paul the second, Carol Wojtyla, young Pope John Paul II, photo, Topeka, KS, Chant Jeff, FSSP, Fraternity of St. Peter, Latin Mass, Traditional Mass, Traditional Sacred Music, Catholic Church, Catholic Music, Viadana, Croce, Uttendal, CD, Purchase Gregorian Chant CD, Purchase Polyphony CD, Buy Catholic CD, Kansas CD, Gregorian Chant CD, Plain Chant CD, Palestrina, Croce, Zoilo, Viadana, Vittoria, Lasso, Orlande, S'ng Oh, Jeff Beruan, Michael Mageira, Michael Brown, purchase Catholic CD, KU, University of Kansas, Holy music Church, Traditional music of the Church, true church music, catholic polyphony